Publishers: Gorging on Authorial Hope

If you write a great literary fictional story, and if you’re not famous or infamous, your chances of publication are minuscule.  Remember when writers sent their best to a publisher, waited three to six months for the usual rejection, and then sent the same work out again, and again, and again . . . always with the expectation that someone would some day believe in their talent?  There were galaxies of hope and expectations.  Besides, it didn’t cost anything.  These writers believed they were being judged on quality . . . if they worked hard and learned their craft, they … Read More…

Coppin’ a’tude About Poetry Contests and Fees and a severe caution issued

Thanks for cc’ing me on the issue of entry fees for writing contests. I’m letting Doug Rutledge in on this as well because he and I have had some substantial conversation on the issue of contests and fees as well. Both of us simply exploring the subject and attempting to give thoughtful consideration to both sides of any debate. Doug is the current President of the OPA (Ohio Poetry Association). You probably know that. I’m going to make some simple statements that might seem a bit contrary to each other–some of them. I mean “If I think this, well, then, why do I think that?” I do more arguing with myself than I do with others. But I don’t wear religious brooches on a chain, I wear the question mark.

Pudding House charges $15 for the entry fee for our chapbook competition each year. It feels right-on. It’s the lowest amount of money I’m willing to do that work for. And at Pudding House an imperfect poem can even win. I’m not looking for perfect, I’m looking for artful. I am one who ends sentences with prepositions.

We make enough to publish the winner’s chapbook, give the winner prize money, and to publish additional authors’ chapbooks that got notice, some years as many as 25 or 30 of the manuscripts get published. Last year only three or four. Some of it might pay me for a bit of my time SOME YEARS and there is nothing at all wrong with that. This IS my job, my business, and they who write against the entry fees for competitions I suppose would rather see the competitions or the press fold? What else could the opponent possibly want? Editors, judges, and publishers have to get paid somehow. Pudding House is a sole proprietorship, not a nonprofit organization. We aren’t a charity and nowhere is it written that a literary venture SHOULD be.

Read More…

The Devil in Literary Contests

Writers desperate for recognition need to face the reality of contests as an increasingly common source of income for magazine publishers. For an active writer, yearly costs to submit work to contests – rapidly becoming the main way for new writers to get published – can mount to hundreds of dollars. No writer knows the value of this expense:  there is a disturbing lack of transparent disclosure of contest motives that seem more profit oriented than a means to attract good authors. The contests have an aura of lotteries, and writers are forced to gamble with buried, fixed odds. There is no reliable way to determine the chances of winning or getting published. This will discourage writers, and threaten prose as an important, but beleaguered, resource of great fictional stories.

Read More…