Archive for January, 2018

Are you a storyteller? Article About Writing Better


Monday, January 22nd, 2018
William H. Coles

Every living human has a story to tell, and most believe they'll get around to it someday… and if they get around to it, they'll be blissfully successful even if totally unaware of what a story is and how difficult it is to do well.

Of course, stories can be how you want to think they are–memoirs, essay, non-fiction, history, character sketches, creative journalism, diary entries, or even letters, but the literary story (a written work that is considered lasting and of artistic merit) has proven to be the most long-lasting written form for the last few centuries. It's one thing to scribble away to get your story onto paper, even published, without attaining thresholds of excellence to please a reader– thresholds of engagement, entertainment, and enlightenment. If you love your characters, and thrive on pride in the content of your story, you owe it to yourself to do the best you can to succeed by creating a story with potential to be read, assimilated, admired, and remembered. Consider this.

Great stories:
1. Provide character and pilot movement through time organized by the author, and not described as randomly-displaced, disjointed events from reality revealed with obscuration of origin and meaning.
2. Are infused with drama.
3. Emphasize characterization.
4. Create plots with architecture and credibility, theme and meaning.
5. Narrate to provide effective story information, images, and ideation.
7. Excite with excellent prose.
8. Require imagination and creativity rather than just remembering and describing.

Wait, you say. I want to tell my story . . . a story about me, my family, my experiences, my friends and acquaintances . . . a memoir that comes from the heart and doesn’t need contrived structuring and superfluous overthinking. Well then, great, if that's how you feel, just do it do it and all the best. And if you're a good writer, your work may well be received and lauded. But for those storytellers dedicated to excellence in writing fiction as literature, great stories are created by diligent intellectual pursuit of knowledge about story construction and experience in writing effective, clear, logical prose. And most important, for excellence, fiction writers must have an unvarying desire to engage, entertain, and enlighten a reader. To write well and create a great literary fiction story is a path to lasting pride and satisfaction.

KEY REFERENCES (available  online free to read or download).
Literary Fictional Story
Author’s Attitudes
How Literary Stories Go Wrong
Conflict in Literary Fiction

"Facing Grace with Gloria", a short story by William H. Coles available free for online reading and listening… and download.

Illustration by Peter Healy



What EM Forster taught us about flat and round characters and how to use it. Article About Writing Better


Monday, January 8th, 2018
William H. Coles

In Aspects of the Novel (1927), EM Forster wrote ideas, now cherished by many writers, about flat and round characters. Here are highlights of ideas expressed in the book.

Flat characters, in pure form, are constructed around a single idea or quality, are so consistent without change that they are easily recognized and remembered, may be summed up in a few words. not as great achievements as round characters, and are best when comic rather than tragic.  Contrary to many contemporary thinkers, flat characters are very useful to authors; they “never need reintroducing, never run away, have not to be watched for development, and provide their own atmosphere—little luminous disks of a pre-arranged size, pushed hither and thither across the void or between the stars; most satisfactory.” The complexity of the novel “often requires flat people as well as round, and the outcome of their collisions parallels life more accurately.” “It is only round people who are fit to perform tragically for any length of time and can move us to any feelings” (except humor and appropriateness).

“All [of Austen’s] characters are round, or capable of rotundity,” are never caricatures, and are highly organized. A round character gives readers a slightly new pleasure each time they come into the story, as opposed to the merely repetitive-pleasure result of a flat character.

"The perfect novelist touches all his material directly, seems to pass the creative finger down every sentence and into every word. The test of a round character is whether it is capable of surprising in a convincing way. If it never surprises, it is flat. If it does not convince, it is a flat pretending to be round. It has the incalculability of life about it—life within the pages of a book.” Rotundity achieves the novelist’s task of acclimatization and harmonizes the human race with the fiction.

Authors immersed in telling their own process fail to achieve effective characterization. “It is [author] confidences about the individual people that do harm, and beckon the reader away from the people to an examination of the novelist’s mind.  The novelists “who betrays too much interest in their own method can never be more than interesting; [they have] given up the creation of character and summoned us to help analyze [their] own mind, and a heavy drop in the emotional thermometer results.

Forster shares good advice and admirable thinking, and here is what the contemporary novelist has to build characters: description, internal reflection; action; conflict and resolution; emotional arcs; vibrant, purposeful dialogue; motivations and desires; narration; point of view, and change. Great characterization is the gift of complexity and construction a fiction author taps to create great, lasting, memorable, and meaningful characters that populate the best of literary stories.

The attitude and skills for the writer of great literary-fiction stories are: imagine and create, not just remember and describe.

RESOURCES

Aspects of the Novel, E. M. Forster (1927)

storyinliteraryfiction.com/essays-on-writing/

fictioneditorsopinions.com

A short story, “The Miracle of Madame Villard”. Available online free to read or download (and MP3) and suggested as examples of flat and round characters.




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